Trevor Vishart
London: Routledge, 2002
A basic musical vision that is understood to grasp the dimensions of the new digital Informationsoprozesse as a designer. The cultural significance of the transformations and manipulations, and especially the spatial design possibilities of sounds are described as examples and with new knowledge, the overall dimensions of all human utterance possibilities explored. It also tries Vishart experiences of different areas that are not traditionally associated with music related, such as film-sound-effects, concrete poetry and sound animal research incorporate into its sound world.
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