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Spaces Speak, Are You Listening? Experiencing Aural Architecture

Blesser Barry and Linda-Ruth Salter
Cambridge, Mass.. : MIT Press, 2007

As a former professor at MIT and a founder of Digital Audio, Barry has spent the last Blesser 40 years working at the junction of audio, acoustics, perception, and cognitive psychology.
Linda-Ruth Salter, Ph.D., is an independent scholar who has spent the last 25 years focusing on the interdisciplinary relationship of art, space, culture, and technology.
"The authors present a groundbreaking synthesis of auditory spatial awareness as it has developed from cave acoustics through the modern concert hall to digital simulations of virtual spaces. Drawing on numerous disciplines, they summarize the scientific and cultural knowledge of the subtleties of acoustic spaces in a clear and readable manner, while challenging our social values about the optimal design of those spaces. A must-read for every student of architecture and aural culture."
-- Barry Truax , Professor and Composer, Simon Fraser University

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On Sonic Art

Trevor Vishart
London: Routledge, 2002

A basic musical vision that is understood to grasp the dimensions of the new digital Informationsoprozesse as a designer. The cultural significance of the transformations and manipulations, and especially the spatial design possibilities of sounds are described as examples and with new knowledge, the overall dimensions of all human utterance possibilities explored. It also tries Vishart experiences of different areas that are not traditionally associated with music related, such as film-sound-effects, concrete poetry and sound animal research incorporate into its sound world.

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Machines

Martin Riches
Ausstellungskatalog, Kunsthallen Brandts Klaederfabrik, Odense Dänemark; 2004

Im Ausstellungskatalog von Odense finden We detailed illustrations by Martin Riches' talking machines. As a former architect, he developed in the border area of sound art and unique kinetic art works that at first glance first at the technical marvels of the 18th Century recall. The work cited in this computer-driven instruments generate acoustic - pneumatic means clearly understood Release speaking. We see three-dimensional hollow forms nachgbildet the human larynx and can articulate the acoustic sound. So we can understand precisely how the sound is formed by gaps in solids and how the smallest changes of edges or the audible relief importance of a sound . Determine

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The soundscape of modernity: architectural acoustics and the culture of listening in America, 1900 - 1933

Emiliy Thompson
Cambridge, Mass.. MIT; 2004

A history of aural culture of the early 20th Century, tracing the breathtaking development of a completely new hearing and sound culture in America. We learn in detail the development of technological inventions that allowed both new hearing conditions and new sounds. We also learn that the technical solutions that seeks to dominate the acoustics, the sound from the actual room alienated and that all public spaces acoustically lost their original characteristics so that a universal began to dominate all sound.

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Musique de l'architecture: textes, réalisations et projets architecturaux / choisis, presents et comments par Sharon Kanach

Iannis Xenakis
Marseille: Editions Parenthèses, 2006

One of the very rare writings of a composer and musician to sound sounding rooms and architecture. Xenakis worked with Corbusier, designed the rhythmic structure of the facade of the University of Chandighar that Corbusier built and developed with him, and Edgar Varèse the Phillips Pavilion at the World Exhibition in Brussels 1956th In his book unfolds Xenakis its comprehensive mathematical and structural knowledge to overcome all the linear constraints of musical thinking in favor of spatial dimensions. Finally, he sketches the vision the cosmic city that will unfold in the vertical dimension. [Published in Françoise Choay, L'Urbanisme, Utopies et Réalité. Le Seuil, 1965]

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sound music to the ears of flesh and physics

John R. Pierce
Heidelberg: Spektrum Akad Verlag, 1999

music unfolds in sound: a scientific journey into the world of physical wave nature, illuminated like sounds and harmonies come about and why we ever differ and can perceive. From the basics of the ancient Greeks to Galileo Galilei, of Hermann Helmholtz to the first electronic instruments, sound production in the Bell laboratories, we finally get to the beginnings of computer music.

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Stone: The Body and the City in Western Civilization

Richard Sennett
Frankfurt aM: Suhrkamp, 1997

The body of the City in Western Civilization. A particular history of the city: from the cities of ancient Athens to modern New York. We find, for example in the chapter "The voice of the citizen, a detailed description of speech areas," of the development of public speaking and their architectural requirements in the urban context.
"So people in a multicultural city to turn to each other, we must, I believe the understanding we have of our own bodies change. We will never know the difference of other can, as long as we do not recognize the physical inadequacy in ourselves. "

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sound everyday - everyday sound

Alexander M. Lorenz
thesis, Faculty of Arts University of Zurich
, 2000

This project investigates the conditions for a civilized and humane world of sounds. It focuses on perceptions, evaluations and needs of the Swiss population to the acoustic environment. The study also provides information for urban planners: the population has a need for the sounds of nature and is mostly to pay to keep the original sounds in the city.

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Aux écoutes de la ville

Pascal Amphoux
National Research Programme city and traffic, Zurich 1995, Swiss National Fund for the Promotion of Science

The National Science Foundation study on the quality of life in urban areas studied, the noise environment and acoustic quality of Lausanne, Locarno and Zurich. On the one hand, a trans-disciplinary method of analysis of urban areas was developed and tested, on the other hand, puts the work on a theoretical model representation of the sound world. Three basic Hörarten underlie all quality criteria: noise environment, noise environment, noise environment.